Multi-cam episodes,cut to the conversation.
Two to four angles, synced to the word and switched the way a live director would switch them. The camera moves when the energy moves, not on a timer.
Why multi-cam editing is a different job
A multi-cam episode is not four videos stacked on a timeline. It is one conversation seen from four places, and the whole craft is deciding which place the viewer should be in at every moment. Cut to the guest a beat before the punchline lands and the joke dies. Hold the wide shot too long and the episode feels like security footage.
Most editors switch angles on a timer or on whoever is speaking. We cut to the conversation instead. Reactions, interruptions, the pause before a big answer. That is what a director does in a live studio, and it is what makes an episode feel produced instead of recorded.
Every angle also comes from a slightly different camera with slightly different colour. We match them so the room looks like one room, level the voices so nobody blows out the mix, and hand back an episode that looks like a studio made it.
What every multi-cam episode includes
One fixed price on the Studio plan. Nothing on this list is an upsell.
Frame-accurate sync
All angles and audio tracks locked to the waveform, so a cut never lands a frame late.
Directed angle switching
Cuts follow reactions and energy, not a rotation timer. Wide shots earn their place.
Colour matched across cameras
Skin tones and room colour matched so switching angles never looks like switching rooms.
Full listen-through edit
Dead air, restarts and tangents come out. A human hears every minute before you do.
Mixed and levelled audio
Voices levelled per speaker, room noise pulled down, one clean stereo master.
4K delivery for every platform
Exported at the right spec for YouTube and Spotify, plus the audio master for your host.
How we cut a multi-cam episode
You upload the raw cards. Everything after that is on us.
Sync and group
Every camera and mic locked into one multicam group, checked against the waveform.
Radio edit first
We cut the conversation for content before touching angles, so the story leads the pictures.
Direct the angles
Angle by angle, moment by moment. Reactions, hands, the wide when the room laughs.
Colour, mix, deliver
Cameras matched, audio mixed, graphics on, and the episode is back inside 48 hours.
The numbers
| Cameras | 2 to 4 angles |
|---|---|
| Plan | Studio, from $299 per episode |
| Turnaround | 48 hours for the first cut |
| Delivery | 4K video plus audio master |
| Revisions | Unlimited on Studio |
| Episode length | Up to 90 minutes, longer quoted on the call |
Straight answers
How many cameras can you handle?
Two to four is the standard Studio setup. If you shoot more than four angles we can still cut it, and I will quote the extra work on the call instead of surprising you on the invoice.
Do my cameras need to match?
No. Mixed setups are normal, a cinema camera front on and two mirrorless on the sides, sometimes a phone as the fourth. Colour matching across mismatched cameras is part of the job, not an add-on.
What if the angles are not perfectly synced when I record?
They never are, and it does not matter. Send the raw files exactly as the cards recorded them. We sync everything to the waveform on our side, frame accurate.
Can you match the switching style my show already uses?
Yes. Send two or three recent episodes and we study the rhythm before cutting anything. The goal is that your audience never notices the editor changed.
Ready to make your multi-cam show look directed?
Book 15 minutes. I will look at your last episode and tell you exactly what I would change about the switching.