Guides

How to Write Podcast Show Notes That People Actually Read

Show notes are the part of the episode most hosts write last, at midnight, in a hurry. That is a shame, because they are the only part of your episode a search engine can read. I cut podcasts for a living, and I write show notes for a lot of them. Here is the exact structure I use, why each block is there, and how long it should take you.

48h

First cut comes back within 48 hours of upload.

$35

Show notes and chapters add-on, per episode.

8 to 12

Chapters I aim for on a 60 minute interview.

25%

Saved on editing when you book monthly instead of one off.

How do you write podcast show notes, step by step?

Write show notes in five blocks: a one-sentence hook, a three to five sentence summary, chapter timestamps, links and resources mentioned, then guest and host details. That order is deliberate. Most podcast apps only show the first 100 to 150 characters before a "more" button, so the hook has to carry the click on its own.

Start from the transcript, not from memory. I open the episode transcript and pull the three moments that made me stop scrubbing while editing. Those become the hook and the summary. If you cannot name three specific moments, the episode was not edited tightly enough, and no amount of writing fixes that.

Then write the summary in plain sentences. Say what the guest actually claimed, not that you "had a wonderful conversation". "Priya explains why she fired her agency after 90 days and rebuilt the funnel in Notion" beats "we chat about growth and marketing" every single time.

Chapters come next, links after, bios last. Nobody has ever subscribed because of a bio. Put it at the bottom where it belongs. The whole thing sits inside a wider podcast post-production routine, so batch it with your export, not weeks later.

THE BRANDING LAYERPSSPONSORSet once, applied to every episode without a checklist.

How long should podcast show notes be?

Aim for 200 to 400 words for a standard interview episode, plus timestamps. Shorter than 150 words and there is not enough text for search to work with. Longer than about 600 and you are writing a blog post, which is a fine thing to do but a different job with a different deadline.

The length that matters most is the first line. Apple Podcasts, Spotify and YouTube all truncate differently, so I write the first 120 characters as a standalone sentence that makes sense with nothing after it. Test it by covering everything below with your hand.

There is a second, longer format worth knowing. If your podcast has its own website, publish an expanded 800 to 1200 word version there with the full transcript underneath, and keep the tight 300 word version in the RSS feed. The site page is where you win search. The feed version is where you win the tap. Our podcast SEO guide goes deeper on how those two pages should link to each other.

One warning. Do not paste the raw transcript into your feed description. It breaks apps, it reads like noise, and it makes your episode look automated.

What do chapter timestamps actually do for an episode?

Chapters let a listener skip to the part they came for, and they give YouTube something to index as separate segments. On YouTube specifically, a description with correctly formatted timestamps turns the progress bar into labelled chapters, which changes how the video looks before anyone presses play.

The formatting rules are strict and people get them wrong constantly. The first chapter must start at 00:00. You need at least three chapters. Each one must be at least 10 seconds long. Put the timestamp first, then a space or a hyphen, then the label. If any of those break, YouTube silently ignores the whole set and you never get told.

Label chapters like a listener searching, not like an editor. "14:20 Why he stopped hiring senior devs" pulls people in. "14:20 Segment 2" does nothing. I keep labels to about six words.

For a 60 minute episode I usually land on 8 to 12 chapters. Fewer than that and the jumps are too big to be useful. We handle this as an add-on, show notes and chapters for $35 per episode, because pulling accurate timestamps out of a finished cut is exactly the sort of work that eats an hour of a host's Sunday. There is more detail on the deliverable in show notes and chapters.

ANGLE SWITCHING, CUT TO THE CONVERSATIONCAM 1CAM 2CAM 3The cut follows reactions and energy, never a rotation timer.

Should you let AI write your show notes?

Use AI for the first draft and never for the final one. A language model reading your transcript will summarise the topic accurately and miss the point entirely, because the point is usually a tone shift, a hesitation, or a number the guest almost did not say out loud.

Here is the workflow I trust. Feed the transcript in, ask for a 150 word summary and a list of every proper noun, tool, book and URL mentioned. That second list is the genuinely useful output. Manually checking a 70 minute transcript for every mentioned link is miserable, and a model does it in seconds without getting bored.

Then rewrite the summary yourself. Cut the adjectives. Add the number. The draft is scaffolding, not copy.

The same principle runs through how we edit. Human editors watch the whole episode, and nothing gets auto-cut by silence detection, because silence detection cannot tell a dead pause from a guest deciding whether to tell you the truth. Automated tools have a real place, and cheap editors like CapCut genuinely handle a lot of simple shows, but the judgement calls are still yours.

Which links belong in your show notes, and in what order?

List every resource the guest named, then your own links, then the guest's own links. Resources first sounds backwards until you notice that resource links are the reason people scroll down at all. Once they are scrolling, your subscribe link gets seen.

Keep the resource list literal. Book title, author, plain link. If the guest said "that Stanford study about sleep", go find it. Hosts tell us this is the single thing listeners email them about, and it takes four minutes.

Then three of your own links maximum: subscribe, one relevant back catalogue episode, and one offer. Any more and the block reads like a footer nobody scans. The back catalogue link is underrated. It is free retention and it teaches the algorithm that your episodes relate to each other.

Guest links go last, and please use their preferred handle rather than the one on their business card from 2019.

If you also cut vertical clips from the episode, link to one from the notes. The shows we cut treat notes and clips as one package, not two chores, and clips run $25 each.

ONE EPISODE, A WEEK OF CLIPSHook first, captions burned in, reframed to 9:16. $25 each.

A 45-minute show notes workflow you can repeat

Block 45 minutes the day the final cut lands and do it in one sitting. Split it as 10 minutes on the transcript, 15 on chapters, 10 on the summary and hook, 10 on links and proofing.

Start with chapters because they are mechanical and they warm you up. Scrub the finished export, drop a marker whenever the subject genuinely changes, and label as you go. Doing chapters first also hands you a rough outline for the summary, so the writing block gets easier.

Write the hook last, not first. You will know the episode better by then and the sentence gets sharper.

Proofing is not optional. Play the episode at the three timestamps you are least sure about and check they line up, because one wrong chapter marker makes every later one look wrong too.

If the maths on 45 minutes per week does not work for you, that is genuinely what the $35 add-on exists for, and it sits alongside a first cut back in 48 hours on Starter at $199 per episode or Studio at $299. Full breakdown lives on pricing. While you are packaging the episode, our sister studio ClickTheory does the YouTube thumbnails at 8 for $250, because good notes behind a bad thumbnail still lose the click.

Common show notes mistakes I see every week

The most common mistake is writing show notes for yourself instead of for a stranger. You know who the guest is. The person reading does not, and they are deciding in about four seconds.

Second: keyword stuffing. Repeating "podcast about marketing" six times used to do something. Now it just reads badly to humans and adds nothing for search.

Third: inconsistent formats. If episode 12 has chapters and episode 13 does not, you are training listeners to stop looking. Pick a template and never break it, even on the episodes you are less proud of.

Fourth: no timestamps on YouTube while having them in the RSS feed, or the reverse. Same notes, both places, adjusted only for character limits.

Fifth, and the one that costs real money: no links to your own back catalogue. Every episode description is a free internal link, and most shows waste all of them.

Sixth: writing notes months later in a batch of twelve. The details are gone by then and it shows. Notes written the same week are simply better, which is why we fold them into delivery rather than treating them as an afterthought.

Show notes checklist for every episode

  • Write a first line that stands alone under 120 characters.
  • Summarise in 3 to 5 sentences with at least one specific number or claim.
  • Start chapter one at 00:00 and keep every chapter over 10 seconds.
  • Label chapters in about six words, phrased the way a listener would search.
  • List every book, tool, study and person the guest actually named.
  • Link one older episode from your own back catalogue.
  • Cap your own promo links at three, placed after the resources.
  • Put guest bio and handles at the bottom, using their current handles.
  • Publish the same notes to RSS and YouTube, trimmed to each character limit.
  • Spot check three timestamps against the final export before you hit publish.

Frequently asked questions

Do show notes actually help podcast discovery?

Yes, because they are the only readable text attached to an audio file. Apple and Spotify index episode titles and descriptions, and YouTube indexes the full description including chapters. Audio itself is getting easier to search, but text still does most of the work. The bigger win is usually the click: a specific first line beats a vague one on the same episode every time.

What is the right show notes length for a short solo episode?

For a 10 to 20 minute solo episode, 120 to 200 words plus three or four chapters is plenty. Solo episodes usually have one argument, so the summary should state that argument outright rather than teasing it. Save the longer format for interviews, where there are multiple threads and more mentioned resources worth listing for the reader.

Should chapters match my edit points exactly?

They should match topic changes, not edit points. A single conversational topic often survives several cuts, and one long unedited stretch can contain three distinct subjects. I scrub the final export and mark where the subject genuinely turns. If two chapters would land within 30 seconds of each other, I merge them, because a chapter that short is noise on the progress bar.

Can I reuse show notes across Apple, Spotify and YouTube?

Reuse the substance and adjust the container. Apple strips most HTML and truncates early, Spotify allows limited formatting, and YouTube rewards timestamps and a longer description. I write one master version, then trim the first line for each platform's cutoff. Keeping the body identical also keeps your episode consistent for anyone who finds it in two places.

Do you write show notes as part of editing?

It is a $35 per episode add-on, on top of Starter at $199 or Studio at $299. Since a human editor has already watched the whole episode to cut it, pulling accurate chapters and a summary is a natural extension rather than a separate research job. Vertical clips are $25 each and rush 24-hour delivery is $75 if the release date moved on you.

Who owns the show notes and files you produce?

You do. Footage, project files, exports and any written notes are yours, and we keep copies alongside you rather than instead of you. That matters if you ever move editors or bring the work in house. Nothing sits locked in a system you cannot get at, and you can take a project file elsewhere without asking us for permission first.

Ready to stop editing your own podcast?

If the 45 minutes a week is the part that never happens, book a 15-minute call with me and we will fold notes, chapters and the edit into one delivery.